| Description | The file contains a series of photocopied articles and research material found in separate bundles throughout the collection. Some articles are sparsely annotated by Dye. Includes the following:
[/1] Appendix II: 'Montagne of Attractions' taken from 'The Film Sense', Sergei Eisenstein, New York, Hartcourt, 1942 [pp.180-183]
[/2] Chapter entitled 'Caligari' from 'From Caligari to Hitler: A Psychological History of the German Film', Siegfried Kracauer, Princeton University Press, 1947 [pp.61-77]. Includes some annotations in black ink.
[/3] Chapters entitled 'Methods of Montagne' and 'The Structure of Film' taken from 'Film Form: Essays in Film Theory', Sergei Eisenstein, New York, Hartcourt, 1949 (pp.72-83; pp. 171- 175)
[/4] 'Four Interviews with Barry, Heubler, Kosuth, Weiner', Arts Magazine, February 1969 (poor quality - ink fading)
[/5] Chapter entitled 'Note and Glossary of Lacanian Terminology' from 'The child, His 'Illness' and the Others', Maud Mannoni, Pantheon Books, 1970 (pp.262- 280).
[/6] ''Who's Afraid of Red, Yellow and Blue?', Thierry Duve, 'Artforum', September 1983
[/7] 'On the Manner of Addressing Clouds', by Thomas McEvilley, Artforum, Summer 1984
[/8] 'Man, Desire, Image', Victor Burgin, ICA Documents (London, 1984)
[/9] 'Sculpture, Design and Three-Dimensional Work', Charles Harrison, 'Artscribe', June/July 1986
[/10] 'Revising Modernism, Representing Postmodernism: Critical Discourses of the Visual Arts', Michael Newman, ICA Documents 4, London, 1986 (pp.32-51)
[/11] Imprint of 'Art and Its Double: A New York Perspective', Dan Cameron, 'Flash Art' 134, May 1987 (pp.58-71).
[/12] Sotherby's European Newsletter, October 1987
[/13] 'Object Lessons', Lynne Cooke, 'Artscribe International', September/October 1987
[/14] 'Sort of left out: some reflections on Photography, Teaching and Clause 28', Simon Watney, Photography Education, Ten. 8, No.29 (1988)
[/15] 'Arguing that the commodity value of an artwork and its aesthetic are deeply intertwined, the author offers a short history of attitudes towards art in the marketplace', Carter Ratcliff, Art in America, July 1988
[/16] 'The Return of Arthur R. Rose', 'Arts Magazine', February 1989. Annotated on reverse by Dye with notes for an unidentified work.
[/17] 'Installations and History', Ellen Handy, 'Arts Magazine', February 1989
[/18] 'Peace in a Bowl of Tea', Alex Stewart, Resurgence No. 137, Nov/Dec 1989
[/19] 'Beauty With Cruelty: Louisa Buck on the dangerous world of Charles Ray', Louisa Buck, Arena, No.33 Autmn/Winter 1990
[/20] 'Minimalist house of horrors', Ben Lewis, The Pink Paper, Issue 147, Nov 1990
[/21] 'Ghettoblaster' section of the German magazine 'Magnus', May 1991
[/22] 'Looking at the man in SherMan and cutting the cloth to fit', Jean Baird, [alba?], undated, c.1991
[/23] 'Art after the End of Art', Arthur C. Danto, 'Artforum', April 1993,
[/24] 'Cindy Sherman's Gravity: A Critical Fable', Rosalind E. Krauss, Artforum, September 1993
[/25] 'The Times', 29 March 1993, p.29. Article by Alison Roberts on the 'battle' between conceptual and conventional art in UK art colleges
[/26] Two reviews of 'Intellectual Impostures' by Alan Sokal and Jean Bricmont, Profile, 1997 from unidentified publications
[/27] Review of Rose Frain's exhibition 'Small Miracles', 5 St Stephen Street, 1998 in 'The List Glasgow and Edinburgh Events Guide', August 1998. Accompanied by a photocopied page of the List and a compliments slip from the artist Rose enclosing the photocopies BOX 20
[/28] Review of Rose Frain's exhibition 'Small Miracles' taken from an unidentified Edinbugh Arts magazine, August 1998 Accompanied by a compliments slip from Rose Frain
[/29] Photocopied pages from an unidentified publication on German cinema. The pages relate to German cinema post the First World War.
[/30] 'The 'Arts Industry' by John Pick photocopied from an unidentified publication. Heavily underlined in black ink.
[/31] Review of 'British Art 1910-1916: A Terrific Thing', Southampton City Art Gallery, Southampton, 1976 photocopied from an unidentified publication.
[/32] A page of poems and images by Annabel Nicolson entitled 'Filmy Tales' photocopied from an unknown publication.
|