Ref No2016.1/B/11
LevelFile
Extent20 items
TitleWorks on paper made during Dye's period of experimentation with projection
Datec.1982-1983
DescriptionWorks on paper originally held together in one portfolio. The majority of works have been executed in white paint and/or wax crayon on large sheets of black paper, though some feature a limited application of yellow, blue and red [paint?]. The material does not seem to relate to exhibited works, but appears to be a file of traced drawings made by Dye during his period of experimentation using projection and/or anamorphosis. His experimentation involved projecting photographic negatives onto black backgrounds - including, walls, objects and paper - and then tracing the resulting image with white paint. Some of the experimentation involved the creation of anamorphic images which could only be viewed at a certain angle. The subject matter for these works varied and included, staged dolls' house furniture; a face in profile; outline drawings of male bodies; images from an instructional weight-training poster; [ancient Greek?] wrestlers; and a male torso. None of the drawings are titled, but a large volume of labelled negatives found elsewhere in the collection have rudimentary titles enabling identification of the material. According to Dye's labelling, the drawings represent the following experimental works: 'Painted room' [/1-2]; 'Profiles on palette table' [/3-4; 7]; 'Weight training diagrams in corner' [/5-6]; and 'Séance II' [/8-13}. Additional images of wrestlers [/14-16], a naked torso [/17] and unidentifiable markings [/18-20] are also included in the bundle, though corresponding titles could not be identified from the negatives.
NotesAccording to Dye's notes on the method used in producing these works (2016.1/I/4/4), Dye projected a photographic negative onto a black background and traced round the projected image using white paint. This initial painting was photographed and the negative then projected onto black painted objects, mostly furniture. The image was traced on the painted objects using white paint and then photographed from various angles. Finally, selected negatives from these photographs were then projected onto black paper and traced in white paint.
Related MaterialSee 2016.1/D/42 and 2016.1/E/47-48 for photographs and negatives related to Dye's period of experimentation using projection; and 2016.1.I/4/4 for Dye’s typescript notes on producing these works.
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