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<rdf:Description rdf:about="http://calm.henry-moore.org/CalmView/record/catalog/2012.103/G/2/6" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <dc:title>Professional Correspondence of Trevor Tennant: M-N</dc:title>
  <dc:description>Correspondence originally filed under 'M-N' by Tennant. The file includes: a letter from Yehudi Menuhin declining Tennant's invitation to sit for him (/1); correspondence and commission statements related to Tennant's semi-abstract figures made during the 1960s, many of which featured in Tennant's 'Figures in Movement' exhibition at the Molton Gallery, London in 1965 (/2-22); a typescript signed letter from Henry Moore dated May 1947 informing Tennant of his decision not to leaving his Chelsea teaching job, writing that 'I am actually enjoying being there – seeing a life model again and criticising life work after not working from a life model at all during the war – its doing  me good to look carefully for a whole day each week at a life model again' (/23); a letter from L. Edwards regarding Tennant's nomination to the National Amalgamated Furnishing Trades Association and his use of Denham Studios (/24); and a purchase order and letter from Nottinghamshire Education Committee related to the purchase of Tennant's bronze sculpture 'Cosh Boys' selected by Miss Evelyn Gibbs (/25-26).</dc:description>
  <dc:date>1944-1972  </dc:date>
</rdf:Description>